We play a lot of music in our house, especially in the kitchen, and the occasional after-dinner dance party has become a tradition, or at least a habit. But now Dashiell and Madeleine are both old enough to start requesting specific songs.
Dashiell is kind of old school, and likes to race around the kitchen to ‘Blitzkrieg Bop’ , which he refers to as ‘Hey Ho.’ He also asks for this classic from the Boston scene of the early 80’s:
Madeleine’s tastes, so far, have been concentrated on the 21st century. She has a fondness for Lordes’ mega-hit ‘Royals‘ and also enjoys this recent but retro sounding tune:
I recently added the Annotated Lovecraft (which sadly does not include The Dream-Quest of Unknown Kadath) to my library, so I dug up this post, originally published in June, 2012.
Once when I was in high school I got sick and had to go to the hospital, for neither the first nor the last time. I was there for several days, and when my parents asked if I needed anything I requested books, of course, by H.P. Lovecraft. At this point I don’t believe I’d ever read a single word by the Gentleman from Providence, but I was aware that he was a contemporary of Robert E. Howard, a fellow contributor to Weird Tales. I devoured the paperbacks my parent’s brought back to my hospital room, and when released went in search of more.
The following year, or maybe the same year – my memory is hazy on when exactly that trip to the hospital occurred – Lovecraft was the subject of the term paper I wrote for my American Literature class. The teacher gave me a ‘B’ which I thought quite generous considering the assignment called for ten pages and I turned in five. The issue was not an unwillingness to put in the time and write, but rather the lack of critical sources to use in crafting the paper. I was limited by the fact that this was back in the 80’s, before Lovecraft had a Library of America edition and Cthulu was a part of popular (not extreme nerd) culture. Other constraining factors: the lack of the internet and my general cluelessness.
If I’m being honest here, or at least mostly honest, the cluelessness was my chief downfall, as it would be for some time to come. There was plenty of raw material in Lovecraft’s work for a measly ten page term paper, material that should have been obvious to a boy from Massachusetts. Many of Lovecraft’s stories are set in what some call Lovecraft Country, where the real and fictitious New England intermingle, where travelers venture to Salem and Kingsport at their peril. But Lovecraft’s love of this geography we shared decades apart went unnoticed by my callow self and so I received the scarlet B.
Lovecraft’s prose might be rightly considered an acquired taste, but I love the following passage, recently recalled to memory, which demonstrates his affection for New England and his ornate, or florid, style:
For know you, that your gold and marble city of wonder is only the sum of what you have seen and loved in youth. It is the glory of Boston’s hillside roofs and western windows aflame with sunset, of the flower-fragrant Common and the great dome on the hill and the tangle of gables and chimneys in the violet valley where the many-bridged Charles flows drowsily. These things you saw, Randolph Carter, when your nurse first wheeled you out in the springtime, and they will be the last things you will ever see with eyes of memory and of love. And there is antique Salem with its brooding years, and spectral Marblehead scaling its rocky precipices into past centuries! And the glory of Salem’s towers and spires seen afar from Marblehead’s pastures across the harbour against the setting sun.
There is Providence quaint and lordly on its seven hills over the blue harbour, with terraces of green leading up to steeples and citadels of living antiquity, and Newport climbing wraithlike from its dreaming breakwater. Arkham is there, with its moss-grown gambrel roofs and the rocky rolling meadows behind it; and antediluvian Kingsport hoary with stacked chimneys and deserted quays and overhanging gables, and the marvel of high cliffs and the milky-misted ocean with tolling buoys beyond.
Cool vales in Concord, cobbled lands in Portsmouth, twilight bends of rustic New Hampshire roads where giant elms half hide white farmhouse walls and creaking well-sweeps. Gloucester’s salt wharves and Truro’s windy willows. Vistas of distant steepled towns and hills beyond hills along the North Shore, hushed stony slopes and low ivied cottages in the lee of huge boulders in Rhode Island’s back country. Scent of the sea and fragrance of the fields; spell of the dark woods and joy of the orchards and gardens at dawn. These, Randolph Carter, are your city; for they are yourself. New England bore you, and into your soul she poured a liquid loveliness which cannot die. This loveliness, moulded, crystallised, and polished by years of memory and dreaming, is your terraced wonder of elusive sunsets; and to find that marble parapet with curious urns and carven rail, and descend at last these endless balustraded steps to the city of broad squares and prismatic fountains, you need only to turn back to the thoughts and visions of your wistful boyhood.
Hey! Just wanted to register my horror over that thing where Green Day was deemed worthy of entry into the Rock and Roll Hall of Fame, but not-so-much the Smiths. Cheers!
The poster above was intended to warn all men and right-thinking women of the horrors to be unleashed on the world if women were allowed to vote, and – gasp – smoke in public.
Me I like hats and I like beer, so the establishment depicted is my kind of joint. I’d be happy to knock back a few at P.J. Gilligan’s.
I first posted this entry in May of 2011. Earlier this year I read The Broken Road, posthumously published conclusion to the story Leigh Fermor began in A Time of Gifts. I highly recommend all three.
Leigh Fermor, Patrick (1977). A Time of Gifts. NY: The New York Review of Books. 316 pages.
The Library of Congress cataloging data just inside the cover of A Time of Gifts lists the subject headings of ‘Europe-Description and travel’ and ‘Europe,Central-Description and travel’ but one could just as easily describe it as part memoir and part adventure novel. Travel writing is not generally my reading material of choice, nor do I take easily to memoir, so I’ve been trying to determine the appeal of A Time of Gifts. Oddly enough, I decided it was the similarity to The Lord of the Rings that drew me in, and has led me to the sequel, Between the Woods and the Water. In a letter dated 20 September 1963 Tolkien noted that:
“Part of the attraction of the L.R. is, I think, due to the glimpses of a large history in the background: an attraction like that of viewing far off an unvisited island, or seeing the towers of a distant city gleaming in a sunlit mist.”*
A Time of Gifts possesses some of that same attraction. In 1933 Leigh Fermor is walking across a Europe the reader knows is a few short years from being swept away. The medieval architecture that inspires him to ecstasies in prose will be bombed to the ground along with the rest of Germany,and many of those who shelter him along the way will be end up trapped behind the Iron Curtain. But through his journey Leigh Fermor affords us a view of an even older Europe, one that largely vanished in the wake of what was then called the Great War. In Austria he is given food and shelter in the schloss of an elderly Count, whose visiting card inspires the following passage:
“After his name was printed: K.u.K. Kammerer u. Rittmeister i.R. ‘Imperial and Royal Chamberlain,’ that is, ‘and retired Captain of Horse.’ All through Central Europe the initials ‘K.u.K.’–Kaiserlich und Koniglich –were the alliterative epitome of the old Dual Monarchy. Only candidates with sixteen of thirty-two quarterings, I learnt later,were eligible for the symbolic gold key that court chamberlains wore on the back of their full-dress uniforms. But now the Empire and the Kingdom had been dismembered and their thrones were empty; no doors opened to the gold keys,the heralds were dispersed, the regiments disbanded and the horses dead long ago. The engraved words croaked loud of spent glories.”
More inspiration to seek out a copy of Roth’s Radetzky March.
*The full text of this letter can be found in The Letters of J.R.R. Tolkien.
You know what else I need to reread? A whole bunch of books by Dorothy Dunnett: the Lymond Chronicles, the House of Niccolo, and maybe King Hereafter too.
I could spend all of 2015 rereading. I won’t though.
My last haul from the Harvard Book Store,which is, along with the Brattle Book Shop one of my favorite places in Boston .
The reading list for 2014, over there on the left, has finally been updated. In case you wondering when I was going to get around to it, which you probably weren’t.
While whittling away at my to-be-read pile, now somewhere north of 200 again, I’ve thinking about re-reading. It’s not something I’ve done a lot of since accumulating monstrous piles of books at home because hey, embarrassment of riches here, but there books, or to be accurate series of books, I’d like to revisit. Namely:
- The Lord of the Rings – I haven’t reread this in about ten years, so I’m about due.
- The Sherlock Holmes canon – I own the lovely annotated editions edited by Leslie Klinger and something about the fall and winter makes the thought of immersing myself on Holmes’ world very appealing.
- Patrick O’Brian’s Aubrey/Maturin series – I’ve never read all of them in one go, from start to finish and in order. Why not now?
- Anthony Price’s David Audley books – Because they’re captivating and I’ve only read them once. You should track them down (they’re not currently in print) and read them too. One day I’ll write a post explaining why, or at least why they appealed so much to me.
I always thought the notion of desert island discs, records you would take with you if forced to a desert island, was a parlor game turned internet meme. Not so the internet told me, it’s actually a 70 year old radio show airing on BBC Radio 4. The format is this: a person of note – a musician, writer, actor, director, politician, someone well known in their field – is interviewed by the host, during which they select eight records, one book, and one luxury, to take with them to the hypothetical island. (They are also given the works of Shakespeare and the Bible).
Anyway, the point is the archive for Desert Island Discs is available on line and it’s a treasure trove. Shows are available to stream or download as an mp3 file. Many of the older shows are unavailable, because they were broadcast live and not recorded, or the recordings were lost or damaged, but there is plenty to occupy your time, from Olivia Manning to Morrissey to Andy McNab. Great stuff there, highly recommended.
Graffiti observed on the wall of the men’s room at the Coolidge Corner Theatre.
This brief bit of nostalgia originally appeared on Obscurorant 1.0 in January of 2005 and is probably the beginning of the conceit of the Broadcast Kid. It is a conceit I feel more strongly when I watch my childrens’ reactions to what we call ‘regular TV’ – namely puzzlement that it can’t be paused and annoyance at the interruptions of commercials.
I have lightly edited this updated version.
Not surprisingly, there are those who are startled by my lack of exposure to Little House on the Prairie. Let me explain by simply saying that I was a Channel 56 kid.
Channel 56 was the main UHF channel in the greater Boston area. During the late 70s and early 80s this station provided three vital services for children of my generation….
1. After School Cartoons – In those days every TV station (or so it seemed) played cartoons on Saturday morning, but channel 56 was your destination for weekday afternoon cartoons. Sure, they were lame cartoons, like Mighty Mouse, but at least you’d get your cartoon fix, to hold you over until the sacred hours of Saturday AM.
2. Creature Double Feature – All the Japanese monster movies you could ever ask for, from Attack of the Mushroom People to Godzilla vs MechaGodzilla. I loved these movies, adored them, and a showing of a film like Destroy All Monsters, which featured ALL the noteworthy monsters (Rodan, Mothra, King Ghidorah) was an occasion for much rejoicing. Create Double Feature also introduced me to Giant Robot, the patron saint of this blog.
(Special geek note: I was so enamored of these films, that when none were available I’d ‘create’ my own by drawing elaborate scenes of battle between Godzilla and a variety of opponents.)
3. Syndication Central – Channel 56 was were old shows went to live on in eternal syndication. The main reason I never saw Little House is that it wasn’t on Channel 56. However, I did spend endless hours watching the following shows:
Happy Days: I think I saw every single one, from the season with Richie’s big brother who mysteriously vanished to Richie’s wedding via phone. I preferred the original Arnold.
Laverne and Shirley: my all-time favorite sitcom. I still cannot believe that Milly-wah-kay does not have a museum or something dedicated to this show. I still love the patented Lenny and Squiggy entrance, when somebody mentions something squalid or disgusting, the door pops open, “Hello!” Off the top of my head, I only know the first verse of the Laverne and Shirley theme song.
Alice: Did Alice have a theme song? I can’t remember.
Facts of Life: I liked the original cast, which included Molly Ringwald. I pretty much lost interest when the focus shifted entirely to Blair, Jo, Tootie and the other girl. As a result of this program, I still think chicks in plaid skirts are hot. (90s fashion also helped in this regard.) I doubt TV warped my moral compass, but it definitely did something to me.
Good Times: I still know the theme song to this show by heart. I may just sing it to you after a few beers.
Three’s Company: Is this not the stupidest show ever? Yet I tuned in, repeatedly. To watch endless variations of the exact same plot: somebody overhears something, mistakenly assigns a sexual meaning to what is overheard, hilarity ensues, John Ritter does a pratfall at some point. Roll credits.