Thoughts on Gods and Generals
I finally finished watching the DVD of Gods and Generals yesterday evening. Due to the length - three and half plus hours – and my schedule, it took me several nights to work through the film.
Gods and Generals is the first part of a (possible) Civil War trilogy. The second part, Gettysburg, was released some ten or so years ago; it remains to be seen if the third installment, The Last Full Measure, will make it to the screen. While Gettysburg focused in great detail on the pivotal battle of the same name, Gods and Generals is much broader in scope, depicting the battles of First Manassas, Fredericksburg, and Chancellorsville as well as certain events in between.
The movie has drawn critical fire from a number of different quarters. Among other things, Gods and Generals has been criticized for: the sanitized violence of the battle scenes; the focus on Gen. Thomas ‘Stonewall’ Jackson that omits mention of his brilliant campaigns in the Shenandoah Valley; the treatment of slavery, the scarcity of black characters, and an alleged pro-Southern bias; the ponderous dialogue spouted by many of the characters; and the omission of the battle of Antietam, the Civil War’s bloodiest day. Now that’s a long list and I think you get the idea - a lot of folks had a lot of quarrels with this film.
Frankly, I think certain of the criticisms above are inevitable when you take enough material for a twelve or twenty hour mini-series and cram into a three-hour movie. Others I believe are due to the provocative nature of the material; even today, the topic of the Civil War still brings out strong opinions and emotions. Any director, writer and cast would be hard-pressed to produce a Civil War film that satisfied all comers. For myself, I found Gods and Generals to be a decent enough film. Having a rough knowledge of that era of history helps as the movie doesn’t explain events (particularly the flow of the various battles) in nearly the same detail as Gettysburg but it’s not that difficult to understand and follow what is being depicted on screen.
My chief criticism of the film is not it’s portrayal of the ‘big’ historical events, themes and characters, but rather with the cliched vignettes of ‘ordinary’ folk that we are presented with, presumably to draw us into the film and make us feel the full horror and tragedy of the conflict. Watching the movie one is presented with such cliches as the tearful-departure-from-home-scene, the soldier-who-has-premonition-of-death-and-is-killed-shortly-thereafter, the enemy-combatants-who-discover-how-much-they-have-in-common, and many of your other favorites. These sorts of scenes are total clunkers, and insult the viewer’s intelligence.
It’s a pity because there are plenty of real life vignettes on the historical record that would have served far better than the above cliches in giving the film some emotional depth. Take for example the account of man called Sullivan Ballou, first brought to the attention of many by Ken Burn’s Civil War miniseries. Born, raised and educated in Rhode Island he left a promising career as a lawyer and public servant (he served as Speaker of the Rhode Island House of Representatives) to enlist in the Second Regiment of the Rhode Island Volunteers. On June 19th, now Major Ballou and his men left Providence for Washington DC. On July 14th he wrote the following to his wife:
My very dear Sarah:
The indications are very strong that we shall move in a few days -- perhaps tomorrow. Lest I should not be able to write you again, I feel impelled to write lines that may fall under your eye when I shall be no more.
Our movement may be one of a few days duration and full of pleasure -- and it may be one of severe conflict and death to me. Not my will, but thine O God, be done. If it is necessary that I should fall on the battlefield for my country, I am ready. I have no misgivings about, or lack of confidence in, the cause in which I am engaged, and my courage does not halt or falter. I know how strongly American Civilization now leans upon the triumph of the Government, and how great a debt we owe to those who went before us through the blood and suffering of the Revolution. And I am willing -- perfectly willing -- to lay down all my joys in this life, to help maintain this Government, and to pay that debt.
But, my dear wife, when I know that with my own joys I lay down nearly all of yours, and replace them in this life with cares and sorrows -- when, after having eaten for long years the bitter fruit of orphanage myself, I must offer it as their only sustenance to my dear little children -- is it weak or dishonorable, while the banner of my purpose floats calmly and proudly in the breeze, that my unbounded love for you, my darling wife and children, should struggle in fierce, though useless, contest with my love of country?
I cannot describe to you my feelings on this calm summer night, when two thousand men are sleeping around me, many of them enjoying the last, perhaps, before that of death -- and I, suspicious that Death is creeping behind me with his fatal dart, am communing with God, my country, and thee.
I have sought most closely and diligently, and often in my breast, for a wrong motive in thus hazarding the happiness of those I loved and I could not find one. A pure love of my country and of the principles I have often advocated before the people and "the name of honor that I love more than I fear death" have called upon me, and I have obeyed.
Sarah, my love for you is deathless, it seems to bind me to you with mighty cables that nothing but Omnipotence could break; and yet my love of Country comes over me like a strong wind and bears me irresistibly on with all these chains to the battlefield.
The memories of the blissful moments I have spent with you come creeping over me, and I feel most gratified to God and to you that I have enjoyed them so long. And hard it is for me to give them up and burn to ashes the hopes of future years, when God willing, we might still have lived and loved together, and seen our sons grow up to honorable manhood around us. I have, I know, but few and small claims upon Divine Providence, but something whispers to me -- perhaps it is the wafted prayer of my little Edgar -- that I shall return to my loved ones unharmed. If I do not, my dear Sarah, never forget how much I love you, and when my last breath escapes me on the battlefield, it will whisper your name.
Forgive my many faults, and the many pains I have caused you. How thoughtless and foolish I have oftentimes been! How gladly would I wash out with my tears every little spot upon your happiness, and struggle with all the misfortune of this world, to shield you and my children from harm. But I cannot. I must watch you from the spirit land and hover near you, while you buffet the storms with your precious little freight, and wait with sad patience till we meet to part no more.
But, O Sarah! If the dead can come back to this earth and flit unseen around those they loved, I shall always be near you; in the garish day and in the darkest night -- amidst your happiest scenes and gloomiest hours -- always, always; and if there be a soft breeze upon your cheek, it shall be my breath; or the cool air fans your throbbing temple, it shall be my spirit passing by.
Sarah, do not mourn me dead; think I am gone and wait for thee, for we shall meet again.
As for my little boys, they will grow as I have done, and never know a father's love and care. Little Willie is too young to remember me long, and my blue-eyed Edgar will keep my frolics with him among the dimmest memories of his childhood. Sarah, I have unlimited confidence in your maternal care and your development of their characters. Tell my two mothers his and hers I call God's blessing upon them. O Sarah, I wait for you there! Come to me, and lead thither my children.
Sullivan
Now there is a cliche - the-last-letter-home-in-case-I-fall-in-battle - that is more than a cliche. The passion and emotion of the letter draws the reader (or listener) in immediately and makes him care for the author.
As it happens Maj. Sullivan Ballou was killed in action along with twenty-seven of his men, one week after writing the above letter, at the Battle of First Manassas on July 21, 1861. He was thirty two years old. Sarah Ballou was twenty-four when her husband died. She never re-married and died at the age of eighty in 1917.



